... the only fitting finale that the company could have made

Het Nieuwsblad - Magali Degrande ***

The image of the outside world that meets the inside world is not only very beautiful, it's also a poetic summary of Ontroerend Goed's body of work, always trying to make different realities shift into one another, to allow fiction and reality to pervade each other. 

Theaterkrant.nl - Evelyne Coussens ***

The creation is the perfect, serene apotheosis of a trilogy that started with an impressively recounted and formally conceived world history, followed by a second part which was a surprisingly conceived portrait of the destructive influence human kind exerts on its environment. 

Knack - Els Van Steenberghe ***