£¥€$ (Lies) isn’t just a clever historical and psychological analysis of the high finance world, it’s also smart, fast and incredibly exciting theatre.

De Morgen - Evelyne Coussens *****

... It’s phenomenal how, in less than two hours, £¥€$ succeeds in providing an insight into a complex historical theme like the financialisation of the economy. This in itself is a masterstroke, but the psychological mindfuck lingers even more.

De Morgen - Evelyne Coussens *****

Ontroerend Goed builds the stock market suspense in an almost inconspicuous way

De Standaard - Filip Tielens ****

After the markets have crashed and the light went out (literally), short positions, mergers and bond sales are the topic of conversation in the queue for the cloakroom. Financial news has suddenly become more tangible. That might just be the greatest merit of £¥€$. 

De Standaard - Ruben Mooijman ****

As interactive theatrical experiences go, Ontroerend Goed's £¥€$ has got to be one of the best. The audience are sucked into a world of global markets, banks and the deals to be had, then hit square between the eyes with message about economics.

What's On Stage - Su Carroll ****

What Ontroerend Goed has done with £¥€$  is far more powerful than simply presenting a play about greed and corruption. We can feel the damage done and we have no-one else to blame. It's a lesson for us all.

What's On Stage - Su Carroll ****

It’s the Belgian company Ontroerend Goed back at its remarkable best, a show that simultaneously reinvents what theatre can be and triggers our emotions in exactly the way the best theatre can do.

The Scotsman - Mark Fisher *****

Under the ever-reliable direction of Alexander Devriendt, this is as polished a performance as you will see in Edinburgh and should be on everyone’s must-see list, especially those of politicians and bankers.

British Theatre Guide - Philip Fisher *****

Driving a global market to implosion, and spurring a financial crisis that causes widespread misery and uncertainty, really shouldn’t be this fun. Yet, the gleeful pursuit of profits in Ontroerend Goed’s new co-production is so satisfying you might well forget about the consequences.

Exeunt Magazine - Chris McCormack