Without even a single political reference, Ontroerend Goed’s ‘Fight Night’ makes a precarious analysis of  the consensus politics our democratic system has fallen into. That’s impressive.

De Morgen - Evelyne Coussens ****

‘Fight Night’ informs us about ourselves, the audience, rather than about the actors. How we, as individuals and as a group, judge, condemn, punish or tolerate.

De Standaard – Liv Laveyne ****

A cross between Big Brother and an Italian general election.

The Independent – Paul Vallely ****

It is shown that the democratic process is inevitably doomed to destroy choice.

The List ****

Who the hell needs consensus politics if there’s a revolution to be had?

Total Theatre – Dorothy Max Prior

‘a deeply compelling analysis of modern democracy and the many flaws it may fall into.' 

noprocenium.com

'Fight Night was unique, innovative, and overflowing with meaning between the lines. (...) the true winners of the evening were all the audience members who attended this captivating show.'  

Erim Akpan, chathamlifeandstyle.com *****